Category Archives: Cartoons

And we’re officially on hiatus for a week. . .

Or maybe more.

We’re moving this weekend, and there’s lots to be done.

From Berkeley to Gardena, what a move.

We’ve made some good friends here in Berkeley, and we’ll miss them, but in Southern California we’ll have a two kids and a granddaughter close by.

Once we’ve got a new Internet connection, we’ll be back up and running, though posting will be slow as we get settled in.

Oh. We may add an occasional posts during the remainder of the week as we pause for a breather, but don’t count on it.

Meanwhile, enjoy the show!

Well make the rest of our signoff graphic:

First, from the Sacramento Bee:

Jack Ohman: Give him a small hand. . .

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Next, from the Arizona Republic:

Steve Benson: Donald Trump’s teapology

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We give equal time, first with the Minneapolis Star Tribune:

Steve Sack: The Hillary Clinton stash

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And from the Indianapolis Star:

Gary Varvel: Clinton Foundation money

BLOG B VarvelAnd finally, the show must go on, via the Atlanta Journal-Constitution:

Mike Luckovich: Faux

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David Horsey: Maybe this explains it all. . .

From the editorial cartoonist of the Los Angeles Times:

BLOG Horsey

Tom Toles: The outlook remains hot and very dry

From the editorial cartoonist of the Washington Post:

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Mr. Fish: Straight from the Horse’s Ass

From Clowncrack, his blog of equine echopraxia:


Brian Adock: Winning all the gold

Yet another take on Trump from across the pond, this time from the editorial cartoonist of the Independent:


Mr Fish: Mr. Fish: I Don’t Have the Constitution for it Anymore

From Clowncrack, his blog of connubial caducity:


Graphic Representation: Politics, with art & music

Today’s graphic offerings look at American politics from the other side of the pond.

Our first offering, from the Guardian, translates an Olympic phenomenon and takes it to the political arena:

Ben Jennings: The cupping of Uncle Sam

BLOG Eurotoon Jennings Trump

And the Independent watches The Donald’s transformation:

Dave Brown: Lighter than air

BLOG Eurotoon Bronw Trump

Finally, from the Guardian once again:

Martin Rowson: Celebrating Syrian airstrikes

BLOG Eurotoon Rowson Syria

We love European cartoonists, in part because their works so often reference great artists of the past.

In this last case, Rowson is playing on a remarkable image created by a German artist in the wake of a succession of continent-wide sieges of bubonic plague the century before which had killed about 80 percent of the population of his country. Smaller outbreaks were still continuing at the time a German artist created one of the most memorable images in the history of art:

Danse macabre by Michael Wolgemut, teacher of Albrecht Dürer, from folio CCLXI recto of Hartman Schedel’s Historia mundi, printed in Nuremberg in 1493.

Danse macabre by Michael Wolgemut, teacher of Albrecht Dürer, from folio CCLXI recto of Hartman Schedel’s Historia mundi, printed in Nuremberg in 1493.

The Danse macabre was a frequent motif in Medieval art, with the earliest known instance appearing in a Paris cemetery in 1424, and it has stopped fascinating artists since.

One artist inspired by the dance of death was French composer Camille Saint-Saëns, and his work is one you’re already familiar with, because you’ve heard it on the soundtrack of countless movies.

Saint-Saëns took his inspiration from the poem by Henri Cazalis [1840-1909], translated thusly by Wikipedia:

Zig, zig, zig, Death in cadence,
Striking with his heel a tomb,
Death at midnight plays a dance-tune,
Zig, zig, zig, on his violin.
The winter wind blows and the night is dark;
Moans are heard in the linden-trees.
Through the gloom, white skeletons pass,
Running and leaping in their shrouds.
Zig, zig, zig, each one is frisking.
The bones of the dancers are heard to crack-
But hist! of a sudden they quit the round,
They push forward, they fly; the cock has crowed.

Forthwith, and from the Philadelphia Symphony Orchestra, Euege Ormandy conducting:

Camille Saint-Saëns – Danse Macabre

You can also hear it played by a classical guitar trio, a Finnish accordion maestro, a bass clarinet quartet [and damn, those clarinets are YUGE], and a Korean viola quartet, all all-saxophone orchestra, and a 1930’s Argentine jazz band [grooovy].

Finally, the Danse Macabre itself [not the Saint-Saëns version] also attracted the attention of Walt Disney’s animators way back in 1929.

Enjoy [via Geoffroy Biencourt]:

Silly Symphonies – La Danse Macabre