Few American filmmakers arouse more controversy than Oliver Stone, both from his eclectic choice of subject matter to the content of the films themselves.
In his 1986 film Salvador, he explores a repressive regime through the eyes of a U.S. photojournalist drawn to Latin America in hopes resurrecting his fading career. In the much more financially successful Platoon, released in the same year, he captures the deep systemic corruption of a war that would tear two nations apart through the eyes of a naive young solider. In JFK he captures the dark uncertainty at the heart of an epochal event still shrouded in uncertainty.
Most of his other films are similar dissections of the American psyche and the contemporary Zeitgeist, ranging from with two Wall Street films, to Nixon, W, Natural Born Killers, The Doors, Any Given Sunday, and Talk Radio.
His newest film, slated for release 16 Star, is Snowden, starring Joseph Gordon-Levitt in the title role.
In this, the latest episode of Conversations with History, Harry Kreisler, Executive Director of UC Berkeley’s Institute of International Studies, conducts a fascinating conversation with the director, with the topics ranging form Stone’s approach to the cinematic arts to his own views of the American system.
It’s well worth your time.
Movies, Politics and History with Oliver Stone — Conversations with History
Published on May 23, 2016
Conversations host Harry Kreisler welcomes filmmaker Oliver Stone for a discussion of his career as director, screenwriter, and producer. Stone describes formative experiences, talks about different aspects of the filmmaking process including working with actors, writing screenplays, and postproduction. He focuses on the themes that have drawn him, and emphasizes the distinction between a historian and dramatist who works with historical materials. He concludes with a discussion of recent works including Alexander and the 10-part documentary on The Untold History of the United States.