Graphic Representation: Politics, with art & music


Today’s graphic offerings look at American politics from the other side of the pond.

Our first offering, from the Guardian, translates an Olympic phenomenon and takes it to the political arena:

Ben Jennings: The cupping of Uncle Sam

BLOG Eurotoon Jennings Trump

And the Independent watches The Donald’s transformation:

Dave Brown: Lighter than air

BLOG Eurotoon Bronw Trump

Finally, from the Guardian once again:

Martin Rowson: Celebrating Syrian airstrikes

BLOG Eurotoon Rowson Syria

We love European cartoonists, in part because their works so often reference great artists of the past.

In this last case, Rowson is playing on a remarkable image created by a German artist in the wake of a succession of continent-wide sieges of bubonic plague the century before which had killed about 80 percent of the population of his country. Smaller outbreaks were still continuing at the time a German artist created one of the most memorable images in the history of art:

Danse macabre by Michael Wolgemut, teacher of Albrecht Dürer, from folio CCLXI recto of Hartman Schedel’s Historia mundi, printed in Nuremberg in 1493.

Danse macabre by Michael Wolgemut, teacher of Albrecht Dürer, from folio CCLXI recto of Hartman Schedel’s Historia mundi, printed in Nuremberg in 1493.

The Danse macabre was a frequent motif in Medieval art, with the earliest known instance appearing in a Paris cemetery in 1424, and it has stopped fascinating artists since.

One artist inspired by the dance of death was French composer Camille Saint-Saëns, and his work is one you’re already familiar with, because you’ve heard it on the soundtrack of countless movies.

Saint-Saëns took his inspiration from the poem by Henri Cazalis [1840-1909], translated thusly by Wikipedia:

Zig, zig, zig, Death in cadence,
Striking with his heel a tomb,
Death at midnight plays a dance-tune,
Zig, zig, zig, on his violin.
The winter wind blows and the night is dark;
Moans are heard in the linden-trees.
Through the gloom, white skeletons pass,
Running and leaping in their shrouds.
Zig, zig, zig, each one is frisking.
The bones of the dancers are heard to crack-
But hist! of a sudden they quit the round,
They push forward, they fly; the cock has crowed.

Forthwith, and from the Philadelphia Symphony Orchestra, Euege Ormandy conducting:

Camille Saint-Saëns – Danse Macabre


You can also hear it played by a classical guitar trio, a Finnish accordion maestro, a bass clarinet quartet [and damn, those clarinets are YUGE], and a Korean viola quartet, all all-saxophone orchestra, and a 1930’s Argentine jazz band [grooovy].

Finally, the Danse Macabre itself [not the Saint-Saëns version] also attracted the attention of Walt Disney’s animators way back in 1929.

Enjoy [via Geoffroy Biencourt]:

Silly Symphonies – La Danse Macabre

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