Category Archives: Humor

Quote of the day: One of the rasher things he’s said


From Bill Murray [and yes, the headline's an intentional pun]:

A few decades ago we had Johnny Cash, Bob Hope and Steve Jobs. Now we have no Cash, no Hope and no Jobs. Please don’t let Kevin Bacon die.

Farewell Mike Nichols, a uniquely American artist


Mike Nichols is gone. Comedian, writer, actor, writer, playwright, director, and producer, he left an indelible mark on the American performing arts.

From his obituary in today’s New York Times:

Mike Nichols, one of America’s most celebrated directors, whose long, protean résumé of critic- and crowd-pleasing work earned him adulation both on Broadway and in Hollywood, died on Wednesday in Manhattan. He was 83.

His death was announced by James Goldston, the president of ABC News. Mr. Nichols was married to the ABC broadcaster Diane Sawyer. A network spokeswoman said the cause was cardiac arrest, giving no other details.

Dryly urbane, Mr. Nichols had a gift for communicating with actors and a keen comic timing, which he honed early in his career as half of the popular sketch-comedy team Nichols and May. An immigrant whose work was marked by trenchant perceptions of American culture, he achieved — in films like “The Graduate,” “Who’s Afraid of Virginia Woolf?” and “Carnal Knowledge” and in comedies and dramas on stage — what Orson Welles and Elia Kazan but few if any other directors have: popular and artistic success in both film and theater.

An almost ritual prize-winner, he was one of only a dozen or so people to have won an Oscar, a Tony, an Emmy and a Grammy.

But it is for his earliest success as partner with Elaine May in one of America’s greatest ever comic duos that we will forever remember him fondly.

So with that, here’s a repost of an offering from 22 January 2013:

Mike Nichols & Elaine May: Comedy that stings

For a kid growing up in small town Kansas in the 1950s, television ushered in a new world, full of both terrors and delights.

As a member of the very first wave of what became the Baby Boom, we arrived before the boob tube’s presence became ubiquitous, and when Dad brought home a pair of boxes, one cubical and the other long and narrow, our world paradigm shifted dramatically.

The cube contained a black and white television set, and the oblong box an antenna kit.

Dad cobbled the antenna together inside attic of our two-story home, running the lead down through to wall to the living room two floors down.

Our neighbors, a reclusive elderly couple, had been forced to put up a tall steel tower reaching up about 50 feet before they could grab a decent signal, but somehow Dad’s inspiration worked, and we had television that night.

Our life was never the same.

The fears came through the endless news stories about nuclear bomb tests and the latest Cold-and-growing-hotter War confrontations.

The delights came in the form of brilliant and mostly Jewish comedians, offering a view of the world that zeroed in on the same insanely macabre contradictions we had just begun to discover at the ripe old age of six.

Sid Caesar and his troupe were the reigning stars [how could they not be, with a crew of writers that included the likes of Woody Allen, Mel Brooks, Neil Simon, Larry Gelbart, and Carl Reiner]. The show’s cast was legendary. And to top it all off, they did it every week live in prime time.

From Your Show of Shows, Caesar appears with Carl Reiner and Howard Morris [“Uncle Goopy”] in a parody of one of television’s earliest hits, This is Your Life, where an unsuspecting audience member was plucked from obscurity and bombarded with people from her past. In this parody, the show takes the unexpected turn every kid secretly hoped would happen.

“This is Your Story”:

While Caesar and his crew painted in a broad brush with roots in vaudeville and the Catskills, two other comics brought a rapier wit and an edgier, more cerebral nightclub tone. And their targets were typically institutions, and they targeted their most corrosive effects.

Mike Nichols and Elaine May were simply brilliant, both witty and masters of the secrets of timing. It’s not surprising both went on to direct. While Caesar brought the pure catharsis of the belly laugh, Nichols and May left you thinking after the laughter had subsided.

Here they tackle a subject brought to the national attention by East Bay writer Jessica Mitford in her searing 1963 expose of the American funeral industry, The American Way of Death. The venue is The Tonight Show, then hosted by Jack Paar.

“The $65 Funeral”:

And here’s a subject near and dear to our own heart of late.

“At the Hospital”:

Finally, Nichols and May bite the hands that feed them in this wonderful little sketch they presented at the 1959 Emmy awards:

Ebola: Looking on the lighter [?] side


While we doubt that many West Africans would find the following video offerings all that funny, they did provide a few moments of relief to a blogger left increasingly depressed at both the outbreak, the all-too-long-delayed response of the wealthier nations, and the superstitions in both North and South impeding an effective response.

Our first two offerings come from Joy Camp, starting with their 6 October offering:

Ebola Vaccine Commercial

Program notes:

The Ebola Vaccine is here. Consult your doctor and get vaccinated today!

The vaccine figures prominent in today’s release, the one with the derivative title:

Run Ebola Run

Program notes:

“Man… probably the most mysterious species on our planet. A mystery of unanswered questions. Who are we? Where do we come from? Where are we going? How do we know what we think we know? Why do we believe anything at all? Countless questions in search of an answer… an answer that will give rise to a new question… and the next answer will give rise to the next question and so on. But, in the end, isn’t it always the same question? And always the same answer?”

And without additional comment, this from Agence France-Presse:

Ebola boosts downloads of British game ‘Plague Inc’

Program notes:

The Ebola epidemic has led to a boom in downloads for the online game “Plague Inc”, prompting its British developer to launch a charity initiative and offer it as a teaching tool.

A good question: How is this still a thing?


A regular segment on HBO’s Last Week with John Oliver poses a good question: How is this still a thing?

Indeed, how is Ayn Rand still a thing?:

Last Week Tonight with John Oliver: Ayn Rand – How Is This Still A Thing?

Segment note:

Ayn Rand, author of “Atlas Shrugged” and “The Fountainhead” is still kind of a thing. How?

And then there’s that day in October. . .

Last Week Tonight with John Oliver: Columbus Day – How Is That Still A Thing

Program note:

Christopher Columbus did a lot of stuff that was way more terrible than “sailing the ocean blue,” but we don’t learn about that.

Clarke and Dawe: Which Iraq War would that be?


Aussie satirists John Clarke and Bryan Dawe [previously] are at it again, delving into their country’s decision to join the latest Mesopotamian combat.

From ClarkeAndDawe:

Clarke and Dawe – The War in Iraq. Not the Previous One. The Current One.

Program note:

“Roger Wilco. Pilot with the Tax Dept.”

Keiser Report: Alec Baldwin & Russell Brand


In conversation with Max and Stacy.

What more to say?

From RT:

Keiser Report: Meeting of Megaminds

Program notes:

In this episode of the Keiser Report, Max Keiser and Stacy Herbert host a two part interview with award-winning film and television actor, Alec Baldwin, and comedian, actor, author and host of the Trews, Russell Brand, about revolution, the media, ultra low interest rates, cobblers and their little helpers. They also discuss whether or not Sean Hannity has the talent to be a ‘terrorist’ and Russell Brand gives his opinion on the role of Fox News.

For your listening pleasure: George Carlin


Not just Carlin, but Carlin in 1972, recorded at the University of California, Los Angeles, Communications Studies Department of 31 May 1972.

He discusses the origins of his comedy career, the perils of performing in Vegas in the Sinatra era, the influence of old-time radio, LSD, and marijuana on his comedy, and so much more.

And, of course, he’s brilliantly funny.

Enjoy.

From Communications Studies Department’s incomparable archives . . .

George Carlin at UCLA 5/31/1972